the distinctions of literature (series)

On stories and “On Stories”: or, how I updated C.S. Lewis’s argument by accident

Recent reading — my own and others’ — has inspired me to tackle a subject that’s been simmering quietly for a while: the value of writing stories that satisfy expectations. This has been brought to mind by my social media’s reactions to Harrow the Ninth (which I haven’t read yet), leavened by the occasional post

Read More 

Character and the fictional imagination: part four in a series

In the movie As Good As it Gets, a vapid receptionist asks Jack Nicholson’s novelist character gushingly, “How do you write women so well?” Nicholson replies: “I think of a man. Then I take away reason and accountability.” Given the earlier scene of him composing text, this is probably not how Melvin Udall actually conceives

Read More 

Style and the virtual cocktail party: part two in a series

Last week I introduced Robert Alter’s book The Pleasures of Reading in an Ideological Age by supporting his argument that literary art can in fact be distinguished from other forms of written communication. Alter wrote his book before even email became ubiquitous, and now, in the age of the tweet, there are even more forms

Read More 

The Distinction of Literature: part one of a series

A couple years ago, at my local independent bookstore, I picked up The Pleasures of Reading in an Ideological Age by Robert Alter. I already admired Alter greatly for his contributions to the study of the Bible as literature (and have been lusting, if that’s the word I want, after his new translation of the

Read More