Things to be noted

A couple of blogs ago I used to borrow Harriet Vane’s method of detective synthesis and make corresponding lists of “Things To Be Noted” and “Things To Be Done.” It was a fun posting format, but honestly so many of the things to be noted at present would have a corresponding line item reading “Nothing to be done about it” that I have decided to dispense with the second half for this post. So, things to be noted:

The author at fencing — or banditry….

1. Fencing is good for your health. I mean, obvs the thing to be done about that is keep doing it, but that’s been hard during the pandemic, plus Coach M has been stricken with a non-COVID illness (like they still have those apparently), and is on a slow mending trajectory. The weather was clement enough this week to have outdoor practice, so I showed up both times and although I was barely good for a hour’s drill the first night, by the second night actually managed to bout the other two people there. With masks and masks, of course.

2. I “attended” my friend’s funeral via Facebook yesterday, and I don’t know what exactly to note about it. On the one hand, fuck the pandemic for making the funeral for V of all people to be one where very few people can attend, no one can sing except one person with a piano accompaniment, and there’s no touching fellow mourners or public Eucharist. On the other, I’m pretty sure V doesn’t care. I bet she’s enjoying the irony! And even with all that, it still seemed a lot more Eastery than Easter was this year. Eucatastrophe doesn’t come cheap, I suppose is what I have to note about it.

3. Despite all my nursing efforts and a clean pot, caterpillars are munching my spider plant for yet another year. Honestly I don’t know what’s to be done about it, except to stick garlic cloves in the soil again, which I’ve done. Also I note that a few hummingbirds are checking out the possible action on my balcony, and there’s definitely something to be done about that, but whether I will get up the gumption to do it is another matter.

4. I…do not have the executive function even in a normal year to keep track of podcasts and actually listen to them, but I did discover a podcast doing interesting recaps of Leverage episode by episode, and since that’s firmly in the column of my comfort viewing, I am all about it. Unreserved rec.

5. Writing productivity has been, as already noted, roundly and profoundly situation-abnormal-all-you-know-what. But I did manage to sketch a scene from TLT with a dialogue throughline that I will now not have to remember on my own. Also, and I’m sure this comes as a surprise to no one, Douglas is being stubborn, so I have had to rethink certain aspects of the structure — but in a hopeful way, as it looks like Douglas is quite right. Which is also utterly unsurprising.

So, there you have it — all the news that’s fit to print for a hot August Sunday.

Review: Tamsyn Muir, Gideon the Ninth

I am so not the kind of reader I want, really. I’m the kind of reader who hangs about like a cat in a doorway, ambivalent both about going out and staying in, until something happens to tip the balance. In this case, the requisite critical mass of recs plus my decision to take a mental health weekend resulted in my getting a Kindle copy of Tamsyn Muir’s Gideon the Ninth — and, of course, reading it in one sitting.

The kind of readers I want, of course, are the kind of readers Gideon the Ninth has: readers who will rave about it in their spaces and joggle their friends’ elbows until they have read it too, so that they can flail together about it. So, full disclosure, I’m a little bit envious of Gideon for its insta-fandom. But not envious enough to turn up my nose at it, either before or after reading it.

Gideon Nav, the POV character for most of the book, is a foundling indentured servant of the Emperor’s Ninth House. It’s the terminal House, with a terminal population, racked by terminal boredom, and all Gideon’s escape attempts have been foiled by the daughter of the house, her nemesis since childhood: Harrowhark Nonagesimus, necromancer extraordinaire. Harrow offers Gideon a devil’s bargain to get off the planet: put her swordswomanship to use as Harrow’s cavalier in a dangerous trial to be elevated to the Emperor’s elite. Harrow is determined to win that place to save her dwindling House.

Gideon couldn’t give less of a shit about the Ninth House, but it’s an adventure, and she gets to wield a sword. And does she ever get to wield a sword. But as you would expect, the trial turns out to be far different to what they expected, and will require more of them both than they could ever have imagined.

The story is, just as advertised, brilliant and pyrotechnic (in a skeleton-y kind of way), with a narrative voice that cracks wise in an ironic but not cynical style. And, it doesn’t fail to deliver on lots of swordplay. Now, I’d quibble that a Zweihander is not an automatic overmatch for a rapier, precisely because what you gain in weight you lose in speed, but I can forgive that because Muir has obviously done proper research, and worked the fighting skills of Gideon and her counterparts from other Houses into the thematic foundations of the trial itself. Sometimes you want speed, and sometimes you want a can-opener, and at all times you want deadly ferocity and a towering passion for winning.

The story fulfills its promises, and any mysteries it leaves unsolved are obviously to be addressed in future books. I gave it the same solid four stars on Goodreads that I gave A Memory Called Empire, and for much the same reasons. Annoyingly, star ratings tend to be a bit like customer-service ratings — anything less than a 5 is a failure of some obscure kind; believe me, if there were an extra little gold star I could add for “life-changing!” I would give five stars to books more often. This book was excellent but not life-changing.

The reason it wasn’t life-changing has everything to do with my particular taste. About half way through my reading of the story, the knowledge sank in that this book’s engine was the Final Girl trope — and sure enough, the story delivered, with precisely the amount of creative body-horror you might expect from a story about dueling necromancers in which life and death are both extremely plastic and ductile.

I’m not one of those people who thinks that tropes are unmentionables, like underwear in polite company — like, how very coarse and bodily of you if you admit to needing to wear any; please. Tropes aren’t just foundation garments; they’re foundations. All stories are made of them, good, bad, and indifferent.

I approve of the Final Girl trope in principle, but in practice I find it kind of…a surfeit, a panoramic waste. There are some characters in this book I would really have liked to see more of, dammit. From my point of view, the Final Girl isn’t bad or even unsatisfying; it just isn’t the here kitty kitty kitty that reliably brings me running.

But, like I said, I enjoyed it happily in one sitting, admired the prowess of Muir’s wordplay, and have no reservations adding my rec to some other cat’s critical decision mass.

Good life choices: a fencing manual rec

A week or so ago I joined Instagram — largely because I feared I might be boring my Facebook readers with new views of my cat asleep, and other such random photos as Instagram appears to be specially made for. Instagram is great, I discovered: vastly more simple to curate, with a feed presented in order by date posted (that thing which every user of a social media service wants and every service developer hates to give them), and easier to discover friends on.

It’s thanks to Instagram that I discovered that a longtime fandom friend has just finished a project illustrating a fencing instruction manual. So naturally I bought it; it arrived today, and it is clearly the Best Purchase Ever.

For one thing, fencing — whether HEMA or sport — is a small world. The author dedicated an acknowledgment to a fencing instructor whom I’ve actually met — and I don’t get around much in fencing circles. For another, the manual is both serious in approach and light in tone, which is no mean feat when writing instructions for practice and pedagogy. My friend’s illustrations are simple but clear and excellent.

I’ve read a few fencing manuals for knowledge and entertainment, and this one really raises the bar for both; it does not over-assume what the reader knows, yet the explanations are not heavy. Seriously, snag this puppy right away, even if you’re not a fencer yourself. (I mean, that can always change. Right?)

Congratulations, Kat and Russ!